Annotated Bibliography 1: Hochscherf, T. Leggott, J. Palumbo, D.E. (2011) British Science Fiction Film and Television: Critical Essays, Macfarland and Company, Incorporated Publishers.

Hochscherf, T. Leggott, J. Palumbo, D.E. (2011) British Science Fiction Film and Television: Critical Essays, Macfarland and Company, Incorporated Publishers. Due to my fascination with science fiction, the essay on H.G. Wells was incredibly useful. Wells was not only a product of his time as a writer, and a person, he was a socialist darwinist […]

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Reflections 9 – Final Fantasy X and stepping out of the shadows of forebears

In Final Fantasy X our leading protagonists Yuna and Tidus are the children of heroes who defeated Sin, the evil monster that terrorises the world, ushering a decade of prosperity until Sin’s rebirth. Tidus has followed in his father Jecht’s footsteps in an attempt to surpass him out of spite to the father who bullied […]

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Reflections 7 – Yoko Taro and the bad, the bad and the worse endings.

Another writer and game producer, Yoko Taro is without a doubt the most cult developer after Metal Gear Solid developer Hideo Kojima. Drakengard a franchise that was designed to reverse character archetypes and satirise the mainstream principles of fantasy story. Yoko Taro began with his protagonist Caim, you’re typical violent anti-hero forced into a pact […]

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Reflections 6 – The female protagonist as shown in the art of Yoshitaka Amano

I’ve always found it odd that considering Japan’s sexist culture (in which it literally refers to career women as devil women), it overshadows western storytelling in many ways. First and foremost among them, in my opinion, is Japan’s ability to write female protagonists – most notably in the Final Fantasy series of Role Playing Games. […]

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Reflections 2 – Ivar The Boneless

Ivar is by far one of my favourite characters on television. He’s cunning, intelligent and incredibly violent. His rise to power not only cements viking power over the Saxons and unification of a grand army in the wake of his father’s death. Yet, he does, against all odds having been crippled from birth. Ivar’s also […]

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